Cool guitars. I like the energy. I feel the vocal doesn't sit in the mix quite "right." It sounds either thin or a bit masked to me. But I liked the song.
Challengewise: I'm guessing your modulation was intended to be in the solo at 2:38 and in the vocal at 3:19. Both times the chords and riff go down but I'm not sure it establishes a new key. Maybe it does. Regardless, I had a hard time hearing it and felt the song didn't really embrace the challenge as fully as some of the other songs.

I wonder if Max Bombast can give you some tips on how to make the guitar sound a little less muddy? I like the chunkiness and the performance, but I do feel like you have a lot of clutter in the lower midrange frequencies, and addressing this would probably involve a mix of guitar tone balancing and EQ during the mix. What's interesting is that the guitars and synths are overwhelming your voice, so it's actually pretty hard to hear the lyrics in the verses, and even so, the guitars still don't sound particularly loud. Or maybe it's that they're loud in the wrong places, which again would be more of an EQ issue. Anyway, sorry, I'm not trying to play mix doctor here. I like the guitar solo in the middle and the way the key modulation follows the narrative. Hard to believe I'm suggesting this, but I think maybe another solo section after the last verse might have been appropriate here, to better illustrate the course of the battle as the tide turns. Right now it feels to me like there's not enough denouement between Njal realizing that he's going to win the battle after all, and the battle being won. "And like the gods had suddenly smiled" is the fourth to last line of the song, and there's no real outro. Still, hearing how the modulation works with your narrative made it "click" with me and you rose a couple spots in my scorecard after listening more. I've been really into your songs this year, and I'm happy to see you doing this well! As of the time I'm writing this, the votes aren't in yet, so anything could happen, but if you do get the (Viking) axe this week, I just wanted to say that I apprecaite you doing the same as Njal and taking "the only way out" by going down in a blaze of glory... or maybe not going down at all!

the main guitar is a big cloud of fuzz that I find a bit ear-fatiguing, I wish there was a little more definition to it and that it left more room for the vocal. Chorus is excellently anthemic - it'd be cool if when it repeats it had some extra vocal layers, maybe some shouts or counterpoint stuff? The guitar solo absolutely rules, although again the rhythm guitar is taking up so much space in the mix, it'd be nice to hear the lead really cut through.