I really like the synth lead under the choruses. The rest not so much.

Do you guys watch Adam Neely videos? He did one recently where he was giving feedback to someone who'd submitted a metal piece, and he said "So the moral of the story—and I really, REALLY hate to say this—is... [sigh] I think you could turn the guitar up in the mix." So yeah, here's my "turn the guitars up" moment for you guys: I think you should make the pitch correction more conspicuous. The synth pop vibe here is already so saccharine and the melody so stop-and-start that, for once in my life, I think that "way too much Autotune" sound might actually be what this song needs. Mark your calendars; I've no idea when I'll ever say that again. Moving on... I get that the short-stopping clipped delivery on "Drag me around" was a style choice, but I'm finding it hard to get into. It's possible that it would work better for me if the lead vocal were blended a bit better into the mix. Similar to the advice I gave Brown Word earlier, I think you've got that "karaoke" effect, where the voice is sitting uncomfortably on top of the mix and not blending. I think what it comes down to is, you're mixing your voice in the same way that you typically do for a rock song, and it needs a different treatment here. I also think that adding a vocal delay (or turning it up, if you already have one here, since I can't hear it!) would help fill the space in the vocal melody that I was complaining about earlier.