theSundayColors
Forum postThe singing is solid. The background vocals at the start and end are so cool, too. It's not my preferred genre of music, but I think it's a great song. And a good use of the song title.
(Someone had to do it.)
You better pump the breaks
Before you end up in a wreck
You’ve been coasting for far too long
Without breaking a sweat
So keep your eyes on the road
And turn off the cruise control
Because I’m not letting you
Just walk right on through
Without any chance to lose
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You can fool everyone else
But you’re never fooling me
You’ve got them all hypnotized
But I see right through your trickery
You’re out there treading water
While the rest of em drown
Well I’m the leviathan
And I’m here to take you down
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This is a challenge
To the reigning champion
You’ll have to go through me
If you want to win
This is a courtesy call
To the rockstar inside
Are you going to play?
Or will you hide?
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Did you forget how to be hard?
Have you lost your muse?
There are so many possibilities
Tell me, which one is your excuse?
Did you lose your courage?
Are you spoiled by success?
Well I have to say
I’m not impressed, I’m not impressed
The singing is solid. The background vocals at the start and end are so cool, too. It's not my preferred genre of music, but I think it's a great song. And a good use of the song title.
I want to 100% congratulate you on your vocal work here, I did not know you had this kind of delivery in your arsenal! BUT also I have to admit that this particular vocal style is one I don't particularly care for which puts me in an "admire it but don't love it" position on this one. I like that there are a range of vocal styles in here though, and the production is really good and BIG.
You really set the mood & you picked a tough target. Props for both. Lyrically I thought you did a fine job, and liked that you were letting your presence be known as much as you were dissing someone. Vocals a little out of your range at times, but it’s not too distracting. You get bonus points for the “I’m Not Impressed” reference. #Impressed
Great vocals (that deep awooo sounds really rich!); I really appreciate your performance even though I am not a fan of that Chris Cornell style of vocal. Instrumentals are also well performed and the production feels just right for the genre. I appreciated the Jerkatorium podcast discussing this, because I didn't have enough Nur Ein history under my belt to understand this, and spent quite a while trying to figure out what this song had to do with actual reigning champs Merisan. That being said, I appreciate that the lyrics apparently have a lot of specific references, but they are all worked in very naturally--nothing stuck out to me as being shoehorned in. I'm 50-50 on how much of a diss track this is--the attitude is definitely right, but the actual insults seem kind of thin on the ground; much more of it is about the challenge to the target.
IVeg (shadow): Really enjoyed the verse lyrics--I think you have a gift for vivid character studies and interesting, poetic phrasing. "She thinks she's so hot but she's not" felt overly simplistic to me, even if it's supposed to be a play on the whole winter metaphor. It also seems to be the only real diss in the lyrics--the rest just felt like description to me. Love the melody in the chorus, it was a nice use of the title and it's catchy, I think with a slicker production it could feel like a lost new wave synthpop gem. Do sleds have brakes? Actually, don't you live in Hawaii? Maybe I shouldn't be asking you. It snowed here like 3 weeks ago.
Lichen Throat (shadow): I've really been enjoying the productions you have been putting together for Nur Ein! I like the arrangement for this one, it has some nice movement and lead melodies; instrumentally, it reminds me a bit of some song off The Magnetic Fields' "Charm of the Highway Strip"--I'm thinking "When The Open Road Is Closing In" but not 100% sure if that's the one. The vocals have some good moments--"telescopic philanthropy" and the end of that verse from "Mrs. Jellyby" to "in your town" were delivered quite nicely, although there are also still a number of pitchy or off-time vocal parts elsewhere that could use some work. Good lyrics, I like that this is a fairly scathing diss track presented in an understated, 19th-century sort of way, and I'm enjoying seeing you flesh out your Bleak House concept album, even though I've never read the book.