I'm not a fan of the shorter chorus, but it works. Gang vocals at the end are done well and I like them a lot. Someone mentioned the spoken word bit could be polarizing and I could see it. For me this is a textbook way of handling it in a song. I loved how you used the music in the background. It's mixed pretty well.
Challengewise: Verse/Chorus key change. Pretty popular tactic and you've done it well. That transition chord into the chorus is tasty and works as a nice cadence into the new key. The vocal melody goes higher which gives energy while your music shifts down. That's a neat little trick and I'm making a mental note to try it out sometime. The almost meandering chord progression back to the verse is lovely, too.

On a first listen, I had this song at #1 again, the first time in this competition I'd have ranked the same person at the top twice in a row. Eventually, two other entries' sincerity stood up to repeat listens a little better than your cheeky retail gender rant, but you still stood tall in third place of my ranks. There's been some hay made about the spoken-word rant and how it was a risk, which I guess is true, but only on paper. Like, if you were to tell me that a competitor was going to include a spoken-word rant in their song that runs from the middle through to the end, but you didn't tell me who it was or anything about the context, yeah, I'd agree that sounds like a big risk and would warn against trying at this late stage. But your musical instincts have guided you well, and you clearly understood the way that rant plays in this song. I really like the move of letting the rant take the backset under the last reptitions of the chorus; I was still able to make it out, but the chorus in the foreground keeps it interesting to the ear even on subsequent listens after I've already absorbed the rant about genered clothing. "It would be really bad if I got my son a girl's jacket." That phrase is going to live in my head rent-free for years, I bet. "Really bad" how? For whom? What potential negative outcome so terrifies this poor mother that a blue jacket becomes cause for gender panic? Wow.

lovely melody, the singalong chorus is super-catchy. I find myself wishing that the oohs after the chorus / leading into the spoken word had a harmony. The spoken word is admirably full of righteous fury and yet on repeat listens I found myself wishing there was more of the song part before it took over. But it's a bold choice and I'm pleased that you're taking risks (and seeing them pay off!)