NUR EIN
almost 5 years agowon
2:55
The Only Way Out
The Lowest Bitter image
The Lowest Bitter

Entry from The Only Way Out in Nur Ein XVI.

Downward Modulation

LyricsShow lyrics

Liner NotesBasically this song is about how even if society has become more accepting of homosexuality, they want you to be a certain type of gay. They want you to know your place, to not challenge them in any way, to be a sexless sitcom gay couple like Cam and Mitchell from Modern Family. So you're allowed to be gay, but you'd better do so in a way that doesn't disrupt straight people's happy heteronormative existence. I think that's why there's been such a big move to reclaim the term "queer" in recent times - it puts the emphasis on otherness, on not conforming to some straight person's narrow, comfortable idea of what gay people are allowed to be.

So this is about that, and trying to become more comfortable with making straight people uncomfortable. The first verse shows me bending myself to fit the monolithic straight experience, and the second verse shows me trying to tear it down. One of the most euphoric experiences of my life happened at Primavera Festival a couple years ago, watching the rapper CupcakKe with a couple hundred queers screaming along to every filthy word, and the bridge quotes the lyrics to her song "Deepthroat", which I've put in italics. Anyway, it felt amazing to be surrounded by hordes of gay men shouting along to a song about sucking dick, you should try it some time, would highly recommend.

Re: challenge, hopefully I've got it right, the chorus goes down two semitones from the verse, so that's a downward modulation as far as I could understand it. But I think we all know this is probably the end of the road for me, so I'm not too upset if I've somehow gotten the wrong end of the stick with this challenge

The Lowest Bitter - The Only Way Out
bow down before the monolith
make yourself as small as can be
keep a check on your behaviours
oh boy conduct yourself invisibly
LARP a life so heteronormative
keep that shit locked in the bedroom
apologising for the fact I exist
so sorry if it upsets you

oh boy, I used to think this was the only way out
oh boy, being the good gay they were dreaming about
but no more

and I felt so alive at the CupcakKe show
in the crush of sweaty queers, shouting along to "Deepthroat"
screaming;
*"hump me, fuck me, daddy better make me choke
hump me, fuck me, my tunnel loves to deepthroat"
*

take a hammer to the monolith
make yourself as loud as can be
be on your very worst behaviour
conduct yourself with depravity
live a life outside their constructs
and wear your queerness on your sleeve
I won't apologise for anything
if that upsets you, well that's fine by me

oh boy, I used to think I had to put on an act
oh boy, I used to think there was a way I had to be
oh boy, I used to think this was the only way out
oh boy, being the good gay they were dreaming about
but no more

Reviews

3 posted notes

Pigfarmer Jr

Forum post

I love this chorus melody. The 8th note intro (and theme throughout) is catchy. Maybe too catchy for repeated listens (but only if it's 8 songs on constant repeat in order to judge them.) . That chorus was stuck in my head quite a bit. I like the feel of the bass synth. Did I mention this has been stuck in my head quite a bit?
Challengewise: Verse/Chorus. Like Heid it sounds like the chorus melody goes up while the music shifts down. That's cool. The key changes seem maybe just a hair abrupt but they work well for me.

JonPorobil

Forum post

Twice this year now, a competitor has leapt from the bottom of my score sheet, straight to the top of my score sheet in the very next week. Very strong recovery! Interestingly, this song does a lot of the same things I criticized your "Waiting for the Sun to Fall" for. I think context is everything. A romantic song with lyrics structed after a classical poetic form using the line "I wanna get it on with you" as a refrain didn't work for me, but this club-inspired song about grappling with your gay identity and including a scene where you're shouting at a club "hump me, fuck me, daddy better make me choke" - that plays beautifully. You placed that moment in your personal history and used a definition of the word "Out" that I totally didn't have in mind when I thought of this title in a way that was clever, personal, emotional, and creative. Your vocal mixing also continues to improve (or at least bother me less, for whatever reason). More often than not, I've been the judge least on board with your songs, but you made it this far even with my sandbagging - let's see how you fare with a good score from me!

vowlvom

Forum post

that bassline is ridiculously catchy. Perhaps... too catchy? No, that isn't a thing. This is a song I liked on first listen and enjoy more each time I hear it, so pleased to see it win the round! Great lyrics and I love the effect when the synthy chorus drops back out to the bassline, which I think is the result of the song returning to the original key after the chorus modulation? Who knows!

The Lowest Bitter - The Only Way Out | Nur Ein